{"id":3715,"date":"2025-12-13T11:30:36","date_gmt":"2025-12-13T09:30:36","guid":{"rendered":"https:\/\/t-short.art\/intro\/?page_id=3715"},"modified":"2025-12-25T18:42:39","modified_gmt":"2025-12-25T16:42:39","slug":"prizewinners-2025","status":"publish","type":"page","link":"https:\/\/t-short.art\/intro\/index.php\/prizewinners-2025\/","title":{"rendered":"Prizewinners 2025"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#187;1\/6&#8243;][\/vc_column][vc_column css_animation=&#187;none&#187; width=&#187;2\/3&#8243;][vc_empty_space height=&#187;62px&#187;][vc_column_text]<\/p>\n<p style=\"text-align: center;\"><strong>We express our special gratitude to all festival participants and spectators.<\/strong><\/p>\n<p style=\"text-align: center;\">We thank our wonderful\u00a0<a href=\"https:\/\/t-short.art\/intro\/index.php\/jury-2025\/\" rel=\"noopener\"><strong>Jury<\/strong><\/a>\u00a0for their work and for their difficult choice of the festival winners.<\/p>\n<p style=\"text-align: center;\">A total of more than <b>2000<\/b> films were submitted for selection.<\/p>\n<p style=\"text-align: center;\">All festival programs included <strong>335<\/strong>\u00a0animated shorts.<\/p>\n<p style=\"text-align: center;\">The festival is over, we are pleased to announce the results of the <strong>T-Short festival 2025<\/strong>.<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><strong>PRIZES<\/strong><\/h2>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best of the Best<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Earth coal<br \/>\n\/Charbon de terre\/<br \/>\n(France, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Bastien DUPRIEZ<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3717 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Earth-coal.jpg\" alt=\"\" width=\"1920\" height=\"804\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Earth-coal.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Earth-coal-300x126.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Earth-coal-1024x429.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Earth-coal-768x322.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Earth-coal-1536x643.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best Storyline Film<\/strong><\/h3>\n<h4 style=\"text-align: center;\">The Night Boots<br \/>\n\/Les Bottes de la Nuit\/<br \/>\n(France, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Pierre-Luc Granjon<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3720 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Night-Boots.jpg\" alt=\"\" width=\"1385\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Night-Boots.jpg 1385w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Night-Boots-300x234.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Night-Boots-1024x798.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Night-Boots-768x599.jpg 768w\" sizes=\"auto, (max-width: 1385px) 100vw, 1385px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best Bizarre Animation<\/strong><\/h3>\n<h4 style=\"text-align: center;\">On Weary Wings Go By<br \/>\n\/Linnud l\u00e4inud\/<br \/>\n(Estonia, Lithuania, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Anu-Laura Tuttelberg<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3721 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/On-Weary-Wings-Go-By.jpg\" alt=\"\" width=\"1383\" height=\"1038\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/On-Weary-Wings-Go-By.jpg 1383w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/On-Weary-Wings-Go-By-300x225.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/On-Weary-Wings-Go-By-1024x769.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/On-Weary-Wings-Go-By-768x576.jpg 768w\" sizes=\"auto, (max-width: 1383px) 100vw, 1383px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best Debut<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Balconada<br \/>\n(Bulgaria, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Iva Tokmakchieva<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3723 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Balconada.jpg\" alt=\"\" width=\"1920\" height=\"1013\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Balconada.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Balconada-300x158.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Balconada-1024x540.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Balconada-768x405.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Balconada-1536x810.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best Love Story<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Long Distance<br \/>\n\/Longue Distance\/<br \/>\n(France, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Iulia Voitova<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3725 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Long-Distance-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<h3><\/h3>\n<h3 style=\"text-align: center;\"><strong>Best Student Storyline Film<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Something That Is Missing<br \/>\n(Poland, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Pola Lotta W\u0142odarczyk<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3726 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Something-That-Is-Missing-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best Student Bizarre Film<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Ice Rink<br \/>\n\/\u6e9c\u51b0\u573a\/<br \/>\n(China, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Ziyin Wang<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3727 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Ice-Rink.jpg\" alt=\"\" width=\"1440\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Ice-Rink.jpg 1440w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Ice-Rink-300x225.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Ice-Rink-1024x768.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Ice-Rink-768x576.jpg 768w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Best Musical Motive<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Ascendant Vierge &#8212; TIC TAC<br \/>\n(Belgium, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> David Perreard<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3749 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/ascendant-vierge-TIC-TAC-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<h3><\/h3>\n<h3><\/h3>\n<h3 style=\"text-align: center;\"><strong>Jury Special Award<\/strong><\/h3>\n<h4 style=\"text-align: center;\">This is not your Garden<br \/>\n\/Este no es tu jard\u00edn\/<br \/>\n(Colombia, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Directors:<\/strong> Carlos Velandia, Ang\u00e9lica Restrepo<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3728 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/This-is-not-your-Garden-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>Jury Special Award<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Erotomania<br \/>\n\/\uc5d0\ub85c\ud1a0\ub9c8\ub2c8\uc544\/<br \/>\n(Republic of Korea, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Directors:<\/strong> Chae-won Song, Kyung-hee Wang<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3730 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Erotomania-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><strong>T-Short Special Award<\/strong><\/h3>\n<h4 style=\"text-align: center;\">Betrayer<br \/>\n(Japan, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Shengxue Shi<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3732 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Betrayer-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><strong>DIPLOMAS<\/strong><\/h2>\n<h4><\/h4>\n<h4><\/h4>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Koji Yamamura<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">Aglaya<br \/>\n\/\u0410\u0433\u043b\u0430\u044f\/<br \/>\n(Russian Federation, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Taisia Kasko<\/p>\n<p style=\"text-align: center;\"><em>It&#8217;s a joyful, happy, and joyful work. Everything about the protagonist&#8217;s expressions, movements,<br \/>\nand the approach to Russian constructivist expression in the landscape are fascinating.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3734 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Aglaya-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Koji Yamamura<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">Mother of Dawn<br \/>\n\/M\u00e3e da Manh\u00e3\/<br \/>\n(Brazil, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Clara Trevisan<\/p>\n<p style=\"text-align: center;\"><em>I commend the director for exploring what is important and where director is confident in his decisions.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3736 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn.jpg\" alt=\"\" width=\"1620\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn.jpg 1620w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn-300x200.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn-1024x683.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn-768x512.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn-1536x1024.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Mother-of-Dawn-600x400.jpg 600w\" sizes=\"auto, (max-width: 1620px) 100vw, 1620px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Maya Yonesho<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">Challenges of a solitary mind<br \/>\n(Austria, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Astrid Rothaug<\/p>\n<p style=\"text-align: center;\"><em>For the free and spontaneous hand-drawn moving poem that crystallises <\/em><br \/>\n<em>the possibilities of solitude and liberation in a short space of time.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3737 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Challenges-of-a-solitary-mind-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Maya Yonesho<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">The Green Ray<br \/>\n\/Le Rayon Vert\/<br \/>\n(France, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Louis Fourel<\/p>\n<p style=\"text-align: center;\"><em>For the celebration of the joy of a world of purity and harmony, <\/em><br \/>\n<em>highlighted by seemingly primitive expressions.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3739 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Green-Ray.jpg\" alt=\"\" width=\"1440\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Green-Ray.jpg 1440w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Green-Ray-300x225.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Green-Ray-1024x768.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/The-Green-Ray-768x576.jpg 768w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Luis Paris<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">Socially approved positions of bodies in space<br \/>\n\/\u0421\u043e\u0446\u0438\u0430\u043b\u044c\u043d\u043e \u043e\u0434\u043e\u0431\u0440\u044f\u0435\u043c\u044b\u0435 \u043f\u043e\u043b\u043e\u0436\u0435\u043d\u0438\u044f \u0442\u0435\u043b \u0432 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u0435\/<br \/>\n(Russian Federation, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Lera Oleynikova<\/p>\n<p style=\"text-align: center;\"><em>For the language, visual rhythm, and abstract narration that follow the intensity of the music.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3740 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Socially-approved-positions-of-bodies-in-space2.jpg\" alt=\"\" width=\"1440\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Socially-approved-positions-of-bodies-in-space2.jpg 1440w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Socially-approved-positions-of-bodies-in-space2-300x225.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Socially-approved-positions-of-bodies-in-space2-1024x768.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Socially-approved-positions-of-bodies-in-space2-768x576.jpg 768w\" sizes=\"auto, (max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Luis Paris<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">Tides<br \/>\n\/Plimovanje\/<br \/>\n(Slovenia, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> \u017diva Divjak<\/p>\n<p style=\"text-align: center;\"><em>For its subtle combination of transitions, animation, sound, and narration.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3742 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Tides-Plimovanje-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Che Marcheti<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">HAG<strong><br \/>\n<\/strong>(Germany, 2025)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Isabella Marquart<\/p>\n<p style=\"text-align: center;\"><em>For the creative use of animation, blending traditional and digital techniques, <\/em><br \/>\n<em>and for the poetic strength of a powerful narrative crafted independently.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3744 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG-300x169.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG-1024x576.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG-768x432.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG-1536x864.jpg 1536w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/HAG-1000x563.jpg 1000w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\"><strong><em>Diploma by Che Marcheti<\/em><\/strong><\/h4>\n<p>&nbsp;<\/p>\n<h4 style=\"text-align: center;\">Sphere Supreme<br \/>\n(Belgium, 2024)<\/h4>\n<p style=\"text-align: center;\"><strong>Director:<\/strong> Hasan Pastaci<\/p>\n<p style=\"text-align: center;\"><em>For a fun and colorful psychedelic journey, where the shapes<br \/>\nand character design become incredibly captivating.<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3746 size-full\" src=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Sphere-Supreme.jpg\" alt=\"\" width=\"1920\" height=\"804\" srcset=\"https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Sphere-Supreme.jpg 1920w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Sphere-Supreme-300x126.jpg 300w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Sphere-Supreme-1024x429.jpg 1024w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Sphere-Supreme-768x322.jpg 768w, https:\/\/t-short.art\/intro\/wp-content\/uploads\/2025\/12\/Sphere-Supreme-1536x643.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/p>\n<p>&nbsp;[\/vc_column_text][vc_empty_space height=&#187;62px&#187;][\/vc_column][vc_column width=&#187;1\/6&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#187;1\/6&#8243;][\/vc_column][vc_column css_animation=&#187;none&#187; width=&#187;2\/3&#8243;][vc_empty_space height=&#187;62px&#187;][vc_column_text] We express our special gratitude to all festival participants and spectators. We thank our wonderful\u00a0Jury\u00a0for their work and for their difficult choice of the festival winners. A total of more than 2000 films were submitted for selection. All festival programs included 335\u00a0animated shorts. The festival is over, we are pleased [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"class_list":["post-3715","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages\/3715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/comments?post=3715"}],"version-history":[{"count":21,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages\/3715\/revisions"}],"predecessor-version":[{"id":3794,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages\/3715\/revisions\/3794"}],"wp:attachment":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/media?parent=3715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}