{"id":1713,"date":"2023-09-10T14:45:25","date_gmt":"2023-09-10T12:45:25","guid":{"rendered":"https:\/\/t-short.art\/intro\/?page_id=1713"},"modified":"2024-01-05T21:29:10","modified_gmt":"2024-01-05T19:29:10","slug":"prizewinners-2022-2","status":"publish","type":"page","link":"https:\/\/t-short.art\/intro\/index.php\/prizewinners-2022-2\/","title":{"rendered":"Prizewinners 2022"},"content":{"rendered":"

[vc_row][vc_column width=»1\/6″][\/vc_column][vc_column width=»2\/3″][vc_empty_space height=»62px»][vc_column_text]<\/p>\n

Dear friends!<\/h4>\n

We announce the results of the T-Short Festival 2022<\/strong>.<\/p>\n

Slightly more than 1600<\/strong> animation works were submitted to the selection of the festival.<\/p>\n

296<\/strong> animation creations from 52<\/strong> countries of the world took part in all programs of the festival.<\/p>\n

 <\/p>\n

PRIZES<\/strong><\/h2>\n

 <\/p>\n

Best of the Best<\/strong><\/h3>\n

Lizuna Fair
\n(Japan)<\/h4>\n

Director: Sumito Sakakibara<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Storyline Film<\/strong><\/h3>\n

A Most Exquisite man
\n(\u00dcks imeline mees)
\n(Estonia)<\/h4>\n

Director: Jonas Taul<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Bizarre Animation<\/strong><\/h3>\n

Vadim on a walk
\n(\u0412\u0430\u0434\u0438\u043c \u043d\u0430 \u043f\u0440\u043e\u0433\u0443\u043b\u043a\u0435)
\n(Russian Federation)<\/h4>\n

Director: Sasha Svirsky<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Debut<\/strong><\/h3>\n

How My Grandmother Became A Chair
\n(\u0643\u064a\u0641 \u062a\u062d\u0648\u0644\u062a \u062c\u062f\u062a\u064a \u0627\u0644\u0649 \u0643\u0631\u0633\u064a)
\n(Lebanon)<\/h4>\n

Director: Nicolas Fattouh<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Student Storyline Film<\/strong><\/h3>\n

Silvering
\n(United Kingdom)<\/h4>\n

Director: Eilidh Nicoll<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Student Bizarre Animation<\/strong><\/h3>\n

The Odd Hour
\n(Hodina divn\u00e1)
\n(Czech Republic)<\/h4>\n

Director: Michaela Duskova<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Musical Motive<\/strong><\/h3>\n

Clockwise
\n(Spain)<\/h4>\n

Director: Toni Mitjanit<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Humorous Short<\/strong><\/h3>\n

The Sausage Run
\n(Germany)<\/h4>\n

Director: Thomas Stellmach<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Best Gripping Movie<\/strong><\/h3>\n

Seen It!
\n(India)<\/h4>\n

Director: Adithi Krishnadas<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Special Prize from Vita Valdmane <\/strong>
\n(Ceramic Master and Prize Creator)<\/strong><\/h3>\n

Luna Llena
\n(Belgium)<\/h4>\n

Director: Isabel Garcia Moya<\/p>\n

\"\"<\/strong><\/p>\n

 <\/p>\n

Special Prize from Marat Barsky <\/strong>
\n(T-Short Founder)<\/strong><\/h3>\n

Sphere
\n(Poland)<\/h4>\n

Director: Nikodem K\u0142o\u015b<\/p>\n

\"\"<\/p>\n

 <\/p>\n

DIPLOMAS<\/strong><\/h2>\n

 <\/p>\n

The Pattern
\n(Hungary)<\/h4>\n

Director: P\u00e9ter Bogy\u00f3<\/p>\n

for the unusual walk among the patterns of the vast archetypal world<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Alleswasichber\u00fchre
\n(Switzerland)<\/h4>\n

Director: Marion T\u00e4schler<\/p>\n

for the frank exploration of vulnerability and the need for love, which is hard to acknowledge<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Pore
\n(Belgium)<\/h4>\n

Director: Cl\u00e9mence Pica Rogge<\/p>\n

for courageously looking into the abyss of traumatic experience that raises barriers in relationships with others<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

When the pudding crashed
\n(Japan)<\/h4>\n

Director: Hiroki Kurasawa<\/p>\n

for the elegant approach and the subtle sensitivity in describing the substantial changes in the simple children’s world<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Hypno Tidoo
\n(Italy)<\/h4>\n

Directors: Arianna Gheller, Matteo Burani<\/p>\n

for the excellent expression, the radiant re-creation of the fairy world of childhood and the bright long-lasting sensations that remain in the senses<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Rubic’s cube
\n(Czech Republic)<\/h4>\n

Director: Ramanava Krystsina<\/p>\n

for its simple but elegant, narrating complex and deep concepts<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

The blind writer
\n(France)<\/h4>\n

Director: Georges Sifianos<\/p>\n

for<\/em>\u00a0a unique experience and Great idea<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

The Habit
\n(\u041f\u0440\u0438\u0432\u044b\u0447\u043a\u0430)
\n(Russian Federation)<\/h4>\n

Directors: Alexey Karaev, Alexander Rubtsov<\/p>\n

for creative use of technique<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Drawn undrew draw
\n(Taiwan)<\/h4>\n

Director: Angel Wu<\/p>\n

for virtuosity and faith in drawing as the best way to communicate with the world\u00a0\u00a0<\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \"\"<\/p>\n

<\/h4>\n

 <\/p>\n

Now Listen
\n(Poland)<\/h4>\n

Directors: KIJEK, ADAMSKI<\/p>\n

for its powerful visual storytelling and its plasticity of movement, scale and gravity<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

A Bite of Bone
\n(Honekami)
\n(Japan)<\/h4>\n

Director: Honami Yano<\/p>\n

for its well-written narration, lovely spatial transitions, and beautiful texture and color<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Regular
\n(United States)<\/h4>\n

Director: Nata Metlukh<\/p>\n

for its absurd humor, unusual timing and visual puns<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Vampire
\n(United Kingdom)<\/h4>\n

Director: Zhong Xian<\/p>\n

for its unusual editing, expressive timing, and collaged sound design<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

The Train Driver
\n(Germany)<\/h4>\n

Directors: Christian Wittmoser, Zuniel Kim<\/p>\n

for the originality of the choice of topic and the desire to understand the inexplicable mysteries of life<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Hope
\n(Latvia)<\/h4>\n

Director: Zane Oborenko<\/p>\n

for beauty and organicity in the hope of the favor of the unknown — fate\u00a0 \u00a0<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Factory
\n(Iran)<\/h4>\n

Director: Azar Mansoori<\/p>\n

for accurately conveying a sad story<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

That is life
\n(C’est la vie)
\n(Poland)<\/h4>\n

Directors: Jacek Olejnik, Rafa\u0142 Sankiewicz, Wojciech Sankiewicz, Bartosz Terlicki<\/p>\n

for a serious attitude to the philosophy of life<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Alexander Mosolov. Three Pieces
\n(\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u041c\u043e\u0441\u043e\u043b\u043e\u0432. \u0422\u0440\u0438 \u041f\u044c\u0435\u0441\u043a\u0438)
\n(Russian Federation)<\/h4>\n

Director: Natalia Ryss<\/p>\n

for synchronization of motion with the sound<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Bodies and Souls: Inertia
\n(Corps et \u00c2mes: Inertie)
\n(France)<\/h4>\n

Director: Loqmane Bahri<\/p>\n

for a beautifully told of mystical story<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

Life\u2019s a Bitch
\n(\u0416\u0438\u0437\u043d\u044c-\u043f\u0430\u0441\u043a\u0443\u0434\u0430)
\n(Russian Federation)<\/h4>\n

Director: Varya Yakovleva<\/p>\n

for the realism of the story<\/em><\/p>\n

\u00a0\"\"<\/p>\n

 <\/p>\n

Open Grave
\n(A Tumba Abierta)
\n(Spain)<\/h4>\n

Director: Valentin Morato Ribera, Fernando Campillo Bravo, \u00c1lvaro Ortega Ochoa de Ocariz<\/p>\n

for the atmospheric picture of what is happening<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

The Tree Has Been Planted
\n(El \u00c1rbol ya Fue Plantado)
\n(Argentina)<\/h4>\n

Director: Irene Blei<\/p>\n

for interesting musical story<\/em><\/p>\n

\"\"<\/p>\n

 <\/p>\n

When it comes from the Earth
\n(Si viene de la Tierra)
\n(Hungary)<\/h4>\n

Director: Katalin Egely<\/p>\n

for a careful attitude to art and for an interesting look<\/em><\/p>\n

\"\"<\/p>\n

[\/vc_column_text][vc_empty_space height=»62px»][\/vc_column][vc_column width=»1\/6″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=»1\/6″][\/vc_column][vc_column width=»2\/3″][vc_empty_space height=»62px»][vc_column_text] Dear friends! We announce the results of the T-Short Festival 2022. Slightly more than 1600 animation works were submitted to the selection of the festival. 296 animation creations from 52 countries of the world took part in all programs of the festival.   PRIZES   Best of the Best Lizuna Fair […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page.php","meta":{"footnotes":""},"class_list":["post-1713","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages\/1713","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/comments?post=1713"}],"version-history":[{"count":8,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages\/1713\/revisions"}],"predecessor-version":[{"id":1897,"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/pages\/1713\/revisions\/1897"}],"wp:attachment":[{"href":"https:\/\/t-short.art\/intro\/index.php\/wp-json\/wp\/v2\/media?parent=1713"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}